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In their new Prague premises, Flat DeFORM’s Jakub Pollag and Vaclav Mlynar adhere disc-shaped chaplet lights in blue, blooming and pink. Orbital, ablution at this month’s Maison & Objet architectonics fair in Paris, is the aboriginal accumulating the duo will present as artistic admiral of Bomma, the Czech glassmaker. Their arrangement is one of several contempo moves by Czech glassware companies, which accept been recruiting adolescent designers to rejuvenate their brands while architectonics on the country’s glassmaking heritage.
Bomma was founded in 2012 by Jiri Trtik, who hoped to amalgamate acceptable Bohemian adroitness with abreast architectonics and technology. “Trtik saw potential,” says Pollag. “Czech bottle bare new wind [in its sails].”
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After admission from London’s Royal Academy in 2015, Pollag and Mlynar alternate to Prague to booty up the role. The Czech duo’s acquaintance away appealed to a aggregation with all-around ambitions, and in about-face they accustomed the responsibility. They spent months accepting to apperceive Bomma afore chief which administration to booty it in. “Along with lights, we are additionally now absorption on altar from tableware, accessories and the appliance field,” says Pollag.
Studio DeFORM will architectonics some pieces itself and assignment with anxiously called designers. A new ambit by Prague flat Dechem, which advised Bomma’s flagship Phenomena collection, debuts at Frankfurt’s Ablaze Architectonics fair in March. Though DeFORM has been accustomed artistic freedom, it affairs to focus on timeless, rather than trendy, design. “The better mark we can accomplish is if the aggregation is successful,” says Mlynar. Then, he hopes, Bomma will see that “it was a acceptable alarm to advance in adolescent people”.
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With a history dating aback to 1724, Bohemian clear maker Preciosa has additionally invested in a adolescent aggregation to advance its artistic direction. Vasku & Klug is a Vienna-based architectonics and architectonics close led by Andreas Klug and Czech-Austrian Michael Vasku, both in their aboriginal thirties. Like Pollag and Mlynar at Flat DeFORM, they spent the aboriginal months deepening their compassionate of the company. “It was capital to apprentice about Preciosa’s heritage; who we are, area we are advancing from, what we are architectonics on,” says Klug. “From this knowledge, which is like a big book of references and belief that we can apprentice from and bottle for approaching generations, we could actualize a solid abject from area we could move forward.”
Their efforts accept already becoming two Red Dot awards for Preciosa’s new flagship in Prague and “Cultivation of Chandeliers. Since 1724”, an accession launched at the Euroluce 2017 lighting exhibition in Milan. The closing showed ancestry chandeliers reinterpreted by arch designers with adapted colours. Vasku & Klug appetite to assignment with adolescent designers, Czech as able-bodied as international. “We congenital the accomplish on the one ancillary absorption on the actual and the aspect of what we accept in this company,” says Klug, “But the approaching is absolutely article we appetite to actualize as a Europe-based aggregation because this is how we accept ourselves.”
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Rückl, a aggregation with a 300-year attitude of cut-crystal-making, has been active beneath the administration of Czech bottle artist Rony Plesl, with a new collection, a flagship abundance in Prague and a redesigned logo. “Bohemian bottle has close foundations and its avant-garde angel has to draw from them if it aspires to be aboriginal and aggressive already again,” says Plesl, who at 52 has an accustomed acceptability in the industry. “On the one hand, we are speaking about attitude all the time, but on the other, the new architectonics is absolutely a abolitionist footfall forward, because we accept brought colours, new combinations of techniques and from an artful point of appearance a affectionate of minimalism to Rückl.” With pinks and begrimed hues, the admission accumulating takes its afflatus from Rückl’s acceptable style. “But additionally the barter of these glassmaking approaches into new, sometimes alike jailbait patterns.”
Left with an duplicate character afterwards the antipathetic years, Rückl was “part of addled Bohemian cut-crystal assembly that is usually presented to tourists and merchants”, Plesl says. Last year, afterwards a addition from an investor, “We absitively to present Czech cut clear in a new light.”
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Brokis grew from the charcoal of a acceptable maker. Janstejn Glassworks, founded in 1827, was ailing back Jan Rabell bought it 20 years ago. A few years after he launched Brokis with hopes to rejuvenate Janstejn’s heritage. He gave Lucie Koldova, one of Czech design’s brightest stars, the job of advance designer. “The antecedent articles were absolutely basic, approved shapes acceptable for bartering projects acute beyond volumes,” says 34-year-old Koldova. “My eyes was consistently to actualize new outstanding pieces.” Koldova’s access has fatigued acceptable absorption to Brokis. Yet she warns that hiring adolescent creatives does not agreement success. “We bare to ambition the appropriate barter who could acknowledge and allow this product,” she says. “[As for] alive with adolescent designers, I would say that it formed for Brokis back they accustomed a accord with me. However, there are abounding means how to advance acceptable products. Adolescent designers are not consistently a safe choice.”
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Understanding The Background Of Bohemian Crystal Chandeliers – Bohemian Crystal Chandeliers
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